Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;   Related Paintings of DYCK, Sir Anthony Van :. | St George and the Dragon dfg | Charles I on Horseback fg | Sir Endymion Porter and the Artist dfh | Charles I: King of England at the Hunt drh | Self-Portrait dfgjmnh |
Related Artists:
JONES, Thomas
Welsh Painter, 1742-1803
Paul Hoeniger
German, 1865-1924
Alfred Hirv
(born March 26, 1880 in Pechory - died May 26, 1918 in Pskov) was an Estonian painter, known especially for his still lifes. For a time he studied with Julius von Klever in Saint Petersburg; further studies took him to Rome and Munich, where he studied at the school of Anton Ažbe. His paintings are reminiscent of the style of the Dutch Golden Age. Works by Hirv can be found in the Estonian Art Museum.